Another day, another project with SnugHouse! Following a brief hiatus, the band is back in full force, both touring and recording. Check out their interpretation of this classic song, and keep an eye out for them around town.
SnugHouse continues to be one of my favorite side gigs. Combining awesome melodies and catchy lyrics, it’s hard not to get excited about them. Check them out on Facebook or download their EP here: https://snughouse.bandcamp.com/
The music video world used to be where budding directorial talent cut their teeth. They had bigger budgets, more creative freedom, and the opportunity to access gear that was, outside of a professional context, completely inaccessible to amateurs. The democratization of film equipment changed that, but there are still some true auteurs out there who elevate the medium beyond just a vehicle for the music.
The video for Kendrick Lamar’s ‘HUMBLE’ is one such video. Pairing traditional hip hop tropes with overwhelming religious symbolism (a theme Kendrick has leaned on in the past, both lyrically and visually), this video stands out as, in my mind, a more substantial piece of art than the club-banger it is paired with.
Director Dave Meyer is no stranger to the medium. He has had an illustrious career that was atmospherically buoyed by perhaps the most visually stunning and memorable ad campaign of all-time: the silhouettes that sold Apple’s iPod.
Beyond the visual themes, it also features some sweet camera tricks, one of which I haven’t seen in a music video before. First, there is the (almost) cliche 360 degree “mini-world” shot, where Kendrick bikes around what looks like a tiny planet. That’s been done, though. The true stand out shot is the piece shot under the overpass. Using what I presume to be the ultra-cool “Bolt” High Speed Camera, often used for high-speed motion tracking, the director instead uses that tool to precisely track Kendrick’s eye-line, moving from shot to shot absolutely seamlessly. Without this tool, he would have to resort to cuts. You can check out the demo reel for the beast of a rig here:
It’s just really, really impressive.
Whether you’re a rap fan or not, it’s truly worth checking this video out for its stylistic flair.
One of my favorite new freelance gigs has been with a four-person folk outfit in Portland called SnugHouse. While a relatively new band, they have doubled down on their intention to make music their career, and, as such, needed a social media push before the debut of their first, eponymous EP.
Working with Nikhil Dasgupta, their lead singer, we created two videos to accompany songs off this album, as well as an album cover that resonated with their pared-back acoustic sound.
Two days ago, they dropped the announcement of their EP, and within 48 hours had accrued more than 2,100 impressions and 100 engagements through either likes or shares, on a budget of, wait for it… $20. They also saw 11% growth in their overall followers during that same time period.
That’s pretty impressive for just the first touchpoint in this mini-campaign. I’ll be excited to see what the next steps bring.